We heard wheels, barely squeaking across tile floors, rolling out of the master bedroom toward the front door. A heavy door opened and then closed. I wanted to pull the shades wide open and see for myself, and I didn’t dare.


We heard wheels, barely squeaking across tile floors, rolling out of the master bedroom toward the front door. A heavy door opened and then closed. I wanted to pull the shades wide open and see for myself, and I didn’t dare.

In a final act of staking my claim, I asked the damp, drunk and spent star to scribble “All my best, Rock Hudson” on a piece of notebook paper before his hasty exit down the duplex stairs and out to the dingy street below.

Don Lemon, who remembered our first visit and never mentioned the circumstances, who knew this interview meant growth for me, a sort of redemption perhaps, and who even knew a little about overcoming shame himself, reached out in a simple gesture of support.

Kearns’ story includes a bizarre intersection between us that I found so revelatory and disturbing that I had to actually put the book down for several days while I reexamined an entire section of my life.

“Never worry about making a fool of yourself,” he would say, “if it means taking a risk, Mark.” He would recognize my adolescent need to simply fit in with everyone else and he would deny me of it, locking his eyes onto mine. “You gotta take the risk.”

(This essay appears in my collection of essays, My Fabulous Disease: Chronicles of a Gay Survivor, available now at online outlets or your local bookstore.) Over and over, footage of Rock Hudson standing next to Doris Day was playing on television, and he looked...
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